Eric David is an author, film critic and reviewer and all around nice-guy.
He also is a contributor to Homiletics, and gives us his ideas of film clips that might work well with certain themes and texts. He lives at ground zero for the film industry: Culver City, California.
Eric has published in a variety of venues, including—frequently—Christianity Today. His latest piece, published last week, is about the film noir director Fritz Lang, seen here left.
Lang, was born in 1890 of a Jewish mother who later converted to Catholicism. His father was Catholic in name only. This religious background created an ethos for Lang that provides grist for the mill in terms of interpreting his body of work over the years.
Although some of his movies were popular with the Nazis, he fled Germany before the war, and continued to make films. Today, scholars still debate the extent of and the nature of the religious themes in his work.
I insert here, forthwith, the last three paragraphs of David’s essay. You can read the entire thing—and it’s worth a read—right here.
David writes:
In 1967, when asked about making a film that might discuss God or morality in a time when many did not believe, Lang said, "Naturally I don't believe in God as the man with a white beard or such a thing, but I believe in something which you can call God in some kind of an eternal law or eternal mathematical conception of the universe. When they said in the States that God is dead, I considered it wrong. I said to them 'God has only changed his address—he is not really dead.' That seems for me to be the crux: naturally we cannot believe in certain things that have been told us over the centuries."
In 1973, the Director's Guild honored Lang with a special award. The man, who had not made a film in more than a decade, stunned the audience by saying, "All of my German films and the best of my American ones deal with fate. I don't believe in fate anymore. Everyone makes fate for himself. You can accept it, you can reject it and go on. There is no mysterious something, no God who puts the fate on you. It is you who makes the fate yourself."
Lang died three years later, asking on his deathbed for a priest to help him remember the words of the Lord's Prayer. However Lang's widow and third wife Lilly Latte, who had married him in the presence of a rabbi, rather than a priest, told others that Lang wanted to be remembered as an atheist. To the end, Lang kept people in the dark, perhaps even those closest to him, about where he stood with his Maker.
